End of Session One

We will end as we began, on January 11, 2006, 

with Dr. Akito Arima, on a visit

from Japan, writing haiku 

by the Golden Gate Bridge, only this time 

he is looking away from the bridge 

and toward the rest of the Marin Headlands.

This brings to an end my commitment 

to post every day in 2015

as a celebration of the 40th anniversary

of the Yuki Teikei Haiku Society.

It has been great fun!

I didn't manage every day, but. . .

284 posts, each with a photograph!

6112 views from many places in the world!

Lots and lots of lovely praise!

Possibilities for the future:

Just say goodbye. Sob. . .

Lest frequent, or irregular posts.

Posts on different topics, 

by different members, to help you improve your writing,

Posts by guest editors from Yuki Teikei Haiku Society.

Closer coordination with our

publication, GEPPO: perhaps 

reprinting the haiku chosen by menbers' votes

or challenge kigo haiku

or the selected haiku and remarks of our dojin.

I will be discussing these, and any other ideas

with the membership and officers.

Many thanks to Yukiko Tokutomi Northon for creating

an official Facebook page for

Yuki Teikei Haiku Society!

Thank you so much for you attention and praise! jhh

In a White Dress

Towards the end of her life, Kiyoko became tinier. Here she is in a white dress 

when she gave a reading at Fort Mason for the Haiku Poets of Northern California. 

The reflected light off the ocean through the windows of the old fort is often

very beautiful there. Her quiet decline was very sad to witness.

after surgery

Dreaming of sushi to eat

but my daughter says no--

winter sunshine

Kiyoko Tokutomi

Chemotherapy

in a comfortable chair

two hours of winter

Kiyoko Tokutomi

Kiyoko's Sky; The Haiku of Kiyoko Tokutomi,

Brooks Books, 2002.

Kiyoko's Calligraphy

 These photographs are from 

the Japanese festival at Hakone Gardens.

Kiyoko was asked to demonstrate calligraphy. 

Hakone gardens—

a clump of hydrangea

bursts across a fence

wisteria pods

float, a koi tries one

and rejects it

June Hopper Hymas

Kiyoko's Birthday

This photo of Kiyoko with her grandson, Jason, was taken

(as I recall) at the celebration for her 70th birthday,

held at her home in Ben Lomond.

Some of the flowers were gifts for the occasion.

Jason's sisters, Alyssa and Nicholette were also in attendance.

It was a lovely celebration.

Kiyoko wrote wonderful haiku about children;

here are two of my favorites.  jhh

A child does not know

of life's melancholy

the loquat blossom

Kiyoko Tokutomi

In summer clothing

children have such beautiful

arms and legs

Kiyoko Tokutomi

Today, a memorial luncheon is being held for friends and family.

The Haiku Web

These webs are from my own meadow in Michigan. 

Some summer days when there is a morning mist,

one can see just how busy the spiders have been. jhh

edge of moon

a spider weaving

dewdrops

a star breathes

another, the slow swell

of a snail's world

night sky . . 

in the darkest corner

a star exhales

Paresh Tiwari

An Inch of Sky;

haiku and haibun,

20 Notebooks Press, page 56.

(Available from Amazon)

I first met Dr. Angelee Deodhar at the 

haiku conference some of our group attended

in 1997. She has written the foreword to this book

and recommended it to me.

I have rarely found a haiku book

that so impressed me. The standard of work

here is very high. I haven't been able to read

the haibun yet, but I am expecting them 

to be excellent also.

June Hopper Hymas

Reflections

Sometimes, during out visit to Japan in 1997, 

the reality of what we were seeing contrasted deeply

with the reading we had done of the times 

of the great haiku ports Buson and Basho.

Village with a thousand eaves

the sounds of the market

in the morning mist.

Buson    

The Essential Haiku; versions of Basho, 

Buson & Issa, edited by Robert Hass,

Ecco, page 123.

Pilgrimage

Somewhere on the Island of Shikoku (probably in Matsuyama) in 1997, I took this photo,

while on a trip with othe Yuki Teikei members and Kiyoko..

The white coats, walking staffs, sensible hats, footgear and trousers 

mark them as pilgrims.They are making the same sort of walking tour 

that Basho made, visiting holy sites in search of spiritual enlightenment. 

Basho might have noticed their walking shoes,

I seem to remember that he walked in straw sandals.

Not quite dark yet

and the stars shining

above the withered fields

Basho

translated by Robert Hass

The Essential Haiku; 
versions of Basho, Buson and Issa,

edited by Robert Hass, Ecco, 1994, page 104.

Fanfare on Christmas Eve

Dark sea, winter sea. The view from the Cliff House in San Francisco 

on the day of Dr. Arima's visit which began this blog.   jhh

FANFARE ON CHRISTMAS EVE

ice coated
the dogwood tree twinkles
after a squirrel's leap

on starlit ice
the three-legged cat
skids home

the wonder
of old starlight
just reaching us

church bells--
the crackling passage
of expectant feet

from Star-Mapped

Geraldine Little        (1923-1997)

A Little Bouquet; 
selected works of Geraldine Clinton Little,  
Creative Arts Book Company, 2001, page 75.

Geraldine Little published works in many genres, 
including haiku. She was well known 
in haiku circles; at one point she was 
President of the Haiku Society of America.

Butterfly Wings

 At the 20015 YT Haiku Retreat, Carolyn Fitz led our art session

with a discussion and demonstration of sketching insects.

This would help us make better observations and might also

be used in making haiga (haiku and art in concert)

as many of us like to do.
I am always fascinated by the delicate way in which Carolyn
holds her drawing tool, as she moves it seems to float across the paper.

Wake! The sky is light!

let us to the road again . . .

Companion butterfly!

Basho

The haiku of Basho on the website

this haiku was borrowed from

are taken from a couple of older books

of his haiku, but the translator for

each haiku is not specified.

This version has a lot of punctuation,

which is not so commonly done now--

thus I suspect it is from the old

Peter Pauper book that introduced 

so many of us to haiku.

  

When I went to the Monarch Grove in nearby Pacific Grove, the butterflies

were flocking, but they were so high in the tall trees, that it was very hard to get a sense

of what they looked like. This one had ended his life's journey on the ground

with his wings neatly folded, He quietly posed 

for my clearest butterfly picture,

Last Days of the Year

The woman who taught us about haku came to the United States from Japan in 1954.

This is a picture of her students at the train station in Saga City, Japan.

Her example, uncomplaining hard work, and uncompromising principle

served as examples to all who knew her.

Last days of the year;

no place left to scribble

in my datebook

Kiyoko Tokutomi

The Fan

Ellen Brooks performed her powerful dance on the journey of a life

from youth to old age at the Asilomar Retreat this year. 

Hard to believe that this night was already a month ago!

The narrator, David Sheretz can be seen. Betty Arnold

 and Patricia Machmiller (hidden behind dancer)

performed sound effects and musical cues.

Ellen made powerful use of this fan during the

whole performance, snapping it violently open and shut

and displayiing it like a weapon!

David Lanoue was our treasured special guest at the Retreat this year. He recounted how he learned Japanese to translate the haiku of Issa. Now he has translated ten thousand of them and made the translations available on his website: haikuguy.com.

One can search the website using keywords. I was delighted

to find a generous choice when I used the word "fan" for my keyword!

ko takara yo mo hitotsu rikime musha ôgi

treasured child--

one more mighty effort

with the samurai's fan

Issa

translation by David Lanoue

on haikuguy.com

The Color of Sky, the Color of Water

Monterey Bay at Asilomar State Marine Reserve on the last day of the 2015 Retreat.   jhhymas

Migrating whales--

what must it feel like to swim

in starlight

pjm

Haiku by Patricia J. Machmiller

from Mariposa 30

Spring/Summer 2014

Haiku Poets of Northern California

Life of a poet

This was an outstanding highlight of the YT Haiku Retreat this year.

Ellen Brooks, who has studied Japanese dance for many years,

created and performed a dance on Issa's life from boyhood on. She was accompanied 

by musical and sound effects performed by Patricia Machmiller and Betty Arnold 

and narration by David Sheretz. It was an amazing treat!

even the tree by the gate

safe and sound...

evening cool

ISSA

This translation is from David Lanoue's

amazingly interesting website at:

haikuguy.com

Children's Haiku

In November, at the YT Haiku Retreat at Asilomar,

Emiko Miyashita brought copies from Japan of the recent worldwide

contest for children's haiku with art, which is sponsored every

two years by Japan Airlines. Here she is telling us about it.

It is quite a big deal, each poem is printed with the art 

in the original language and in Japanese and English translations.

When I showed my copy to my 12-year old granddaughter

at Thanksgiving time, she asked me if she could have it!

And I gave it to her!

 So tonight I don't have a haiku for the blog.

I hope to find one tomorrow!

Happy Smiles of Haiku People

Here are Carol Steele and Mimi Ahern at the recent

YT Holiday Party hosted this year by Judith and Lou Schallberger.

The fellowship of great-hearted people like these

is something we get in addition to those tiny poems!

by the village shops

rose bushes   branches tied up

capped with new snow

Carol Steele

(her holiday gift haiku,

distributed on a lovely

handwritten card)

And one gull

Dark seas and one gull, Asilomar, Novemberm 2015.  jhh

wave on wave—purple—

purple on blue—a rippling—

dark sea—winter sea—

pjm

Blush of Winter Moon, 

Patricia J. Machmiller, 

Jacaranda Press, 2001

Time to Ponder

This is Roger Abe, longtime member and Past President of Yuki Teikei Haiku Society, 

seated next to Michael Sheffield at the 2015 YT Asilomar Retreat.

He writes, then ponders. Beyond Michael you can just see Amy Ostenso-Kennedy

and a half-head of Patrick Gallagher.

It was a splendid Retreat, honoring the 40th year of YTHS!

so alone, until

we come into each other's light

lantern festival

Roger Abe

The New Pond; An English Langiage Anthology,

Brooks Books, 2001, page 20.

Harvest

 At the YT Haiku Retreat at Asilomar this year, the dining hall staff 

arranged a lovely display of pumpkins by the entrance of the dining hall. 

Resident squirrels thought this was a great idea, or deal!

Here one is almost entirely inside a large squash!

I didn't write a haiku; if you did, leave it in the comments

or send it to me!

The Unseen Skylark

This is Yukiko Tokutomi Northon, the only child of the founders of the Yuki Teikei Haiku Society,

at our annual Holiday Party last night. Mostly she hid from my camera, but I like this one--

which also shows Judith Schallberger's splendid wall of art pottery--

as well as some of the extra chairs needed for such a well-attended gathering.

Here is one of her father's haiku

taken from our Poet's Pages at the Yuki Teikei Website.

Up, up heavenward

riding its own melody

the unseen skylark

Kiyoshi Tokutomi

The Edge of a Village

Tonight the California Group of YTHS held our annual holiday party, at the lovely and creatively-rich home of the Schallbergers in San Jose.. At this time of year we get together to eat, to enjoy being together, and to share personally created haiku gifts. The party was breaking up, when someone suggested the dread group photo. This is one group photo of less than half the people in attendance,
but pushing the envelope of the camera, space, skill and group patience needed.  

(iPhone photo by June Hymas)

At left and in front, looking out of the frame is Katsuhiko Momoi

(he might suggest you call him "Kat")

next to his wife, Beverly Momoi in the striking patterned coat.

Kat and Bev brought to us a beautifully designed blue-and-gold bookmark

with his translation of a haiku by Buson.

Buson's haiku made news worldwide when
more than two hundred previously lost haiku

were discovered in an archive in Japan

and authenticated as being the work of
the great artist and haiku master Buson.
Kat also treated us to a short informational talk
about that discovery.

kangikuya hino teru murano katahotori

The sun shines bright

At the edge of a village
Winter chrysanthemum

Buson
translated by Katsuhiko Momoi

Yosa Buson 1716-1784

White camellia

The recent rains in San Jose have encouraged 

my drought-discouraged sasanqua camellia to bloom. 

I took this ant-enhanced photo yesterday.   jhhymas

White camellia---

my father loved this garden

now so forlorn

Kiyoko Tokutomi

Floating Dreams, edited by Garry Gay

Two Autumns Press, 2001, n.p.

A long time ago, Kiyoko told me about her father's garden. One thing I remember is that he had built it so that a stream could refresh the pond for the koi, yet not carry the fish away. He was quite proud of the way he had figured this out.  jhhymas

The Great Waves

November sea at Asilomar after night rains. . . .

you're an odd thing on this winter beach

John Martone

the great waves

withdraw before

sanderling legs

John Martone

Someone recommended this small book 

and I sent for it; it came today. 

It is adorable and very interesting,

with very varied, very small poems. jhh

coquina

sammudo.ocean, 

copyright, John Martone, 2015

The Lengthening Year

The sweet spirit that Michael Sheffield brings

to any haiku gathering was manifest

at this year's Retreat at Asilomar.

waiting for the sun

to find my window…

the lengthening year

Michael Sheffield

(poem from Sheffield's recent Solstice Greeting)

Tutelary Spirits

At the 40th Anniversary Retreat of the Founding of Yuki Teikei Haiku Society, 

our founders: Kiyoshi and Kiyoko Tokutomi were ever-present in memory.

Carol Steele created the splendid ikebana for this special event.

A bit of sourness

reminds me of my first love,

strawberry milkshake

 

Kiyoshi Tokutomi

A child’s New year’s gift

the days when I last received one

now far away

Kiyoko Tokutomi

From Mr. Tokutomi's generous thought about haiku-writing 

--I think English-speaking people 

would like this, too--

came our group and all of the wonderful outings, 

rich fellowship and friendships; the publications

and travel and new knowledge

and haiku experiences galore!

We are very grateful!

A Relationship

"Look up, look down, look all around," 
begins an old Nursery School rhyme. 

It would be difficult to overestimate 
the place of the natural world

in the development of haiku. 

I met this strutting fellow on the beach at Asilomar

during our recent Haiku Retreat.

The advice above is found on the back cover of the 25th anniversary
YT Haiku Journal; I think it still applies. . .

Please excuse the recent pause;

I was traveling for Thanksgiving

and once I got back 

found it hard to re-commit. jhh

:He's the Yuki Teikei Website Guy!!

Here is David Sheretz reading from his work at the introductory session

in the YT Retreat just past. Already it seems to be TOO LONG

until the next one. Looking on, Eleanor Carolan (center)

and Anne Homan in apricot sweater.

David Sheretz is our Webminder for the Yukii Teiket Website:

youngleaves.org

Be sure to go there for the news and views

and all about Yuki Teikei.

Merriment

You can see what a good time we were having at the YT Asilomar Haiku Retreat this year!

Left to right, Anne Homan, Genie Nakano, Joan Zimmerman & Toni Homan.

on hands and knees

I blow a baby spider

out the door

Genie Nakano

The Plover and the Moonstone, page 23.

Top Hat

Patrick Gallagher knows how to be a Renku Master 

at the End Of The YT Retreat Classis Renku Party.

We all wear some sort of costume, which I think is a tradition 

he began by showing up in Japanese costume several years ago.  

He is also decisive and authoritative, which keeps things moving right along. 

The printed renku is likely to appear in Geppo, if tradition is followed.

spring cleaning

if only Mother had saved

my comic books

Patrick Gallagher

The Plover and the Moonstone

page 15

Morning Tide

Irrepressible, and ubiquitous in the haiku zone, 

Debbie Kolodji definitely attended the YT 40th Anniversary 

Retreat at Asilomar.

Here are two of her haiku from the new anthology:

morning tide

a sea otter rolls

in the kelp bed

pi day

the circumference

of an onion slice

Deborah P. Kolodji

The Plover and the Moonstone,

edited by Patricia Machmiller,

Yuki Teikei Haiku Society, 2015m page 19.

The Plover and the Moonstone

Patricia Machmiller, editor, and Patrick Gallagher, book design and production,

introduce the 40th Anniversary Anthology 

of the Yuki Teikei Haiku Society at the 2015 YT Retreat at Asilomar!

The title is The Plover and the Moonstone.

That's Patrick's design on the cover.

The title is taken from this haiku:

                               daybreak

                                   a pair of plovers forage

                                   among moonstones

                                      Joyce Lorenson

                                                                               

Texts and Subtexts

Between sessions of the YT Haiku Retreat, 

Emiko Miyashita and Jerry Ball find out what's new.

In his discussion of haiku at the 40th Anniversary Reading in the Teahouse,

on May 9, 2015, Jerry gave examples of several different types of haiku. 

Haiku like the ones below he called "Haiku with a subtext."

These are the haiku which suggest a scenario for the reader to imagine.

waking up late

yesterday's mail

still unopened

the first autumn rain

belief in heaven and hell

no longer needed

the first fallen leaves

again I'm reminded

of the autumn inside

Jerry Ball

All these haiku were written by Jerry Ball and published in:

The Plover and the Moonstone; 

the Yuki Teikei Haiku Society 40th Anniversary Anthology, 

edited by Patricia J.Machmiller, 2015, page 47.

Renku Extravaganza!

On the final night of the YT Retreat at Asilomar,

we have a longstanding tradition of a festive RENKU PARTY.

Here you see Renku Master Emiko Miyashita in official regalia. 

We will be showing some of the other poets' costumes in the days to come.

The wall hanging behind her was made by Donnalynn Chase 

incorporating one of Emiko's drawings from the previous Retreat.

Perhaps this will give you an insight into the tone of the proceedings!

This is verse 13--a little more than one-third of the way through

the 36-link renku form. It is a "moon link"

meaning it must use, in this case, the winter moon.

Winter moon

as pale as

tofu

I took the picture before the author's name was written on the record.

I will have to add it when I find out who wrote that great link!  jhh

The dog's name is Penny

Here is Jerry Ball, one of the earliest members of Yuki Teikei Haiku Society,

at the YT Haiku Retreat at Asilomar last weekend.

I think there are only three of us left who joined soon enough to know Mr. Kiyoshi Tokutomi,

and Jerry is one. When I went over to talk to them this time, he said, "Penny says . . .."

and looking at his wife, I said, " I thought your name was Sandy." 

She laughed and told me it was the dog who was named Penny.

This is how I found out that there is someone besides my husband who

quotes from the wise words of dogs. . .

We were all thrilled to get to spend a little time with Jerry.    jhhymas

winter moon

my neighbor draws the curtains

his wife opens them

Jerry Ball

 This is Jerry's moon link from one of our renku:

California Surf

Basho's Crow

Early in this year's 40th Anniversary YT Haiku Retreat, 2015 poets began

to nudge each other and whisper after this crow perched on the drought-stressed 

California Live Oak outside the window of the Trident Meeting Room.

From across the room, I had a good view. The beautiful colors were just like this

in the soft afternoon light; I have not altered them, 

just cropped the photo to feature Basho's Crow.

On a bare branch
A crow is perched -
Autumn evening.  

                                           Makoto Ueda [1]

On a withered bough
A crow alone is perching;
Autumn evening now   

                                           Kenneth Yasuda [2]

On a withered branch
a crow has settled...
autumn nightfall.

                                                     Harold G. Henderson [3]

on a dead branch
the crow settles -
autumn evening
                                            Bruce Ross [4]


On the dead limb
squats a crow -
autumn night 

                                             Lucien Stryk [5]

On a withered branch
A crow is perched,
In the autumn evening.                                    

                                              R. H. Blyth [6]

on a bare branch
a crow has alighted...
autumn nightfall.
                                             Makoto Ueda [7]


on a bare branch
a crow lands
autumn dusk
                                             Jane Reichhold [8]


A crow
has settled on a bare branch -
autumn evening.
                                              Robert Hass [9]

on dead branches crows remain
perched at autumn's end                                              

                                                         Hiroaki Sato [10]

on a barren branch
a raven has perched -
autumn dusk
                                               William J. Higginson [11]


a solitary
crow on a bare branch -
autumn evening
                                                Sam Hamill [12]

on a leafless branch
a crow comes to nest -
autumn nightfall
                                                 Haruo Shirane [13]

on a withered branch
a crow has settled -
autumn evening.
                                                  David Landis Barnhill [14]

Books:

[1] Ueda, Makoto
Basho and His Interpreters: Selected Hokku with Commentary
Stanford University Press, 1995.

[2] Yasuda, Kenneth
Japanese Haiku: Its Essential Nature and History
Tuttle Publishing, 2002.

[3] Henderson, Harold G.
An Introduction to Haiku: An Anthology of Poems and Poets From Basho to Shiki
Doubleday Anchor Books, 1958.

[4] Ross, Bruce (ed).
Haiku Moment: An Anthology of Contemporary North American Haiku
Charles E. Tuttle Company, Vermont, 1993.

[5] Stryk, Lucien
On Love and Barley: Haiku of Basho
University of Hawaii Press, 1986.

[6] Blyth, Reginald Horace,
Haiku
Hokuseido Press, 1997.

[7] Ueda, Makoto
Matsuo Basho
Kodansha America, 1983.

[8] Reichhold, Jane
Writing and Enjoying Haiku: A Hands on Guide
Kodansha International, 2003.

[9] Hass, Robert
The Essential Haiku: Versions of Basho, Buson & Issa
Ecco press, 1994.

[10] Sato, Hiroaki
[...]

[11] Higginson, William J. with Penny Harter
The Haiku Handbook: How to Write, Share and Teach Haiku
McGraw-Hill, 1985.

[12] Hamill, Sam
The Sound of Water: Haiku by Basho, Buson, Issa and Other Poets
Shambhala Publications, 1995.

[13] Shirane, Haruo
Traces of Dreams: Landscape, Cultural Memory and the Poetry of Basho
Stanford University Press, 1998.

[14] Barnhill, David Landis
Basho's Haiku: Selected Poems of Matsuo Basho
State University of New York Press, 2004.

NOTE: I got the translations and bibliography at this link!